rentafoki.blogg.se - Von franz liszt

Prelude and Fugue, BWV 545, C major, for organ (1708?, revised 1712–17?):Īrranged for solo piano, as No.2 of Preludes and Fugues by J.S.

Prelude and Fugue, BWV 543, A minor, for organ (1715?):Īrranged for solo piano, as No.1 of Preludes and Fugues by J.S.

Theme of the Crucifixus (3rd movement) used in Variationen über das Motiv von Bach, for solo piano, S.180 (1862) ) for organ, S.673 (1862–63) Introduction and Fugue arranged for solo organ (or harmonium), S.660/1 (1860–66)

Aus tiefer Noth schrei ich zu dir, BWV 38, cantata (1724):Īndante arranged for solo organ (or harmonium), S.660/2 (1856–60).

Theme of the Tarantella from Act III used in Tarantelle di bravura d’après la tarantelle de La muette de Portici, for solo piano, S.386 (1846, revised 1869) Themes used in the Introduction e Cavatine from 3 Stücke aus der Oper La muette de Portici von Auber, for solo piano, S.387 (1847–48)

La muette de Portici, opera in 5 acts (1828):.

Theme of "Montagnard ou berger" also used in Tyrolean Melody, for solo piano, S.385a (1829) Theme of "Montagnard ou berger" used in Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber ( Souvenir de La fiancée), for solo piano, S.385 (1829, revised 1839?, 1842?) La fiancé, opéra comique in 3 acts (1828):.Ave Maria - see below under "Dietsch, Pierre-Louis"Īuber, Daniel François Esprit (1782–1871).Tyrolean Melody - see below under: "Auber, Daniel François Esprit".Preussischer Armeemarsch (Prussian Army March) :Īrranged for solo piano, S.749 (1866?).Marche Henri IV, French royalist anthem (16th century):Īrranged as Vive Henri IV, for solo piano, S.239 (1879–80).Used in Grande paraphrase de concert sur God Save the Queen et Rule Britannia, S.694, for piano and orchestra (1841) arranged for piano 4 hands as Grosse Fantasie über God Save the Queen und Rule Britannia, S.755a (1841) Used in the concert paraphrase on God Save the Queen, S.235, for solo piano (1841–49) God Save the Queen, British national anthem (18th century):.Used in the concert paraphrase on Gaudeamus igitur, for solo piano: 1st version, S.240/1 (1843) 2nd version, S.240/2 (1853) La cloche sonne, traditional French song:Īrranged as La cloche sonne, S.238, for solo piano (ca.1850).

Pétersbourg - see below under "Vielgorsky, Mikhail"Īrranged as Le rossignol, S.250/1, by Franz Liszt, for solo piano: 1st version, S.249d (1842) 2nd version, as No.1 of 2 mélodies russes, S.250/1 (1842–43) Mazurka pour piano composée par un amateur de St.Miserere by Gregorio Allegri, setting of Psalm 51 for double chorus (1580s?):.Virág-dal (Chant des Fleurs), for piano, Op.43 (ca.1875):Īdditions and corrections by Liszt (1880), S.383a.Tamássy József kedvelt dalai, 16 Hungarian folksongs for voice and piano:įive songs arranged as 5 Ungarische Volkslieder, for solo piano, S.245 (1873).

Themes of "Kertem alatt" (vol.II, No.1) and "Sarkantyú csárdás" (vol.III, No.6) used in the Lento and Vivace (Friska) sections of Hungarian Rhapsody No.19 in D minor, for solo piano, S.244/19 (1885) also for piano 4 hands, S.623a (1885?) 73 Rouget de Lisle, Claude Joseph (1760–1836).57 Maria Pavlovna, Grand Duchess of Russia (1786–1859).